A humming word

A collection of seven stories, Men without Women by Haruki Murakami isn’t different from his other books, yet it is! The book revolves around relationships, supernatural phenomenon, love, deceit, but the translation in this book lacks the poetic depth that one yearns for in a Murakami book. Few stories are exceptional—it is a habit now for Murakami (genius dripping out at the top of his hat). But a few stories give a Deja-vu feel. Nevertheless, give it a try. The stories that I enjoyed were: 1.        The Woman Driver which starts with the common sentiment that women are bad drivers, it progresses onto a deep friendship between the two protagonists—a woman driver and her employer. Their camaraderie doesn’t translate to any physical relationship and that’s comforting. 2.        Scheherazade, inspired by a character in the Arabic folklore, is about a kleptomaniac, narrated by her paramour. The intricacies of the theft a...

After a baseball match, Murakami picked his pen and began writing by the kitchen stove; since then he has been weaving magic through lucid narratives making pedestrian events phantgosmagorical. Reading the twin novel “Wind/Pinball” which spans from 1969-73,   will make one realize there’s magic around us if we pick up a magnifying glass and carry it with us – or have a keen writer’s eye. Murakami adheres to   style which requires love for lyrical prose, music and nature and in this novel: The Pinball. It was a Sunday morning and the sky was piercing blue. The grass beneath our feet was filled with the premonition of its approaching death until next spring. Before long, it would turn white with frost, and then disappear with a blanket of snow. The snow would glitter in the crytal-clear morning sunlight. The pale grass crunched beneath our feet as we walked along. Back to novel one, it spans for eighteen days and it takes us through the life of the narrator ...